But they are also one of the problems: after meeting innumerable exotic characters, it dawned on me that the back-stories stand in for a story, and style stands in for emotion. And her narrator, in retelling the experiences of her grandfather’s generation, enfolds them into her own. Téa Obreht was born in Belgrade in the 1980s, and her family left just as the war broke out, eventually settling in the US. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. Obreht's – and Natalia's – real journey is back in time, and the real investigation here is of the difficult times, violent death and crippled afterlife of that mythical place once called Yugoslavia. Here’s what I like about Téa Obreht’s debut novel, “The Tiger’s Wife”: Obreht can write. “Filled with astonishing immediacy and presence, fleshed out with detail that seems firsthand, The Tiger’s Wife is all the more remarkable for being the product not of observation but of imagination.”—The New York Times Book Review “That The Tiger’s Wife never slips entirely into magical realism is part of its magic. The Tiger's Wife. Téa Obreht was born in Belgrade in 1985 but left at the age of 7, before the major conflict took hold. Obreht won the 2011 Orange Prize for Fiction for The Tiger's Wife. Thanks for exploring this SuperSummary Study Guide of “The Tiger's Wife” by Tea Obreht. In the woods above her grandfather’s village, Natalia tells us, the sound of the animal still vibrates amid the trees, a “tight note that falls and falls.” Arrestingly, Obreht shows that you don’t have to go back centuries to find history transformed into myth; the process can occur within a lifetime if a gifted observer is on hand to record it. Feel free to purchase these books from The Book Depository using my affiliate link so I can use the proceeds to buy even more books! . This novel is a spirited attempt to cram her entire cultural and family heritage into a story. In terms of structure and pacing, Obreht still has a … “You must be joking,” her grandfather replies, rebuking her: “The story of this war — dates, names, who started it, why — that belongs to everyone. The wolves ate their cubs, and the tiger, called Zbogom or Farewell, ate his own legs: a powerful metaphor for Serbia-Yugoslavia devouring her own children. The novel interweaves three compelling narratives. Still, he seeks out old men who know the traditional songs, falls under the spell of the “throbbing wail of their voices winding through tales remembered or invented” and acquires their art. He was a native of Galina and just a boy when the tiger appeared. The brilliant black comedy and matryoshka-style narrative are among the novel's great joys. Soon after the war, the adult Natalia adds to this trove as she travels with a fellow doctor on a mercy mission to a town across the new border to inoculate orphans — orphans who have been created, she knows, “by our own soldiers.” “Twelve years ago,” she explains, “before the war, the people of Brejevina had been our people.” Back then, crossing borders was a formality, but now an unwary welcome is out of the question. By this time, though, she has learned that neither Luka nor the tiger’s wife were characters from fairy tales. The Tiger's Wife depicts the relationship between Natalia, a young medical professional living in a country in the Balkans, and her grandfather, a celebrated doctor who has recently passed away.Obreht's novel begins with a memory of Natalia and her grandfather visiting the city zoo to see the tigers--a routine of theirs in Natalia's childhood. Reaching back to World War II, and then to wars that came before, she reveals the continuity beneath the clangor. Trotting out these accolades feels like hobbling her with expectations, but The Tiger’s Wife, her debut novel written on a creative writing course at Cornell University, is dauntlessly composed. It takes place in a small, remote village during WWII and explains how the grandfather first became obsessed with tigers. Natalia likes to see herself as somebody with an edge: too rational to be cowed by old-fashioned superstitions, too modern for corny old-fashioned folk music. Obreht's delicate unfolding of Natalia's grandfather's past presents a multi-dimensional view of a man Natalia believed she knew. The Tiger's Wife Summary & Study Guide includes detailed chapter summaries and analysis, quotes, character descriptions, themes, and more. The first confrontation between Natalia's grandfather and Gavo offered an early example of this feature of the narrative; the confrontation between Natalia … Its graceful commingling of contemporary realism and village legend seems even more … A humanist schooled in the old tradition, he remained loyal to his patients even after he was expelled from the university for political reasons. The deathless man is presented as a key piece in the puzzle, along with the bear-man, the tormented butcher-musician, his long-suffering and deaf Muslim wife who becomes the tiger's wife for reasons too complicated to explain here, and a whole menagerie of other rural Balkan curiosities whose stories are embroidered by a collective genius of superstition. The Tiger's Wife is a frisky tiger cub chasing its tail – it covers a lot of ground, growls a lot, and never quite gets there, but we have fun along the way. He has been her constant companion – their weekly visit to the city zoo was a ritual. Although his gift is for lyrics rather than music, “there are those who say that any man who heard Luka play the gusla, even in wordless melody, was immediately moved to tears.” When a woman asks why he doesn’t prefer an instrument with a greater number of strings, he responds, “Fifty strings sing one song, but this single string knows a thousand stories.”. Kapka Kassabova's novel Villa Pacifica will be published by Alma Books in August. None of these appear in Téa Obreht’s first novel, “The Tiger’s Wife,” yet in its pages she brings their historic and human context to luminous life. You have to think carefully about where you tell it, and to whom. Still, the family that plays host to the doctors treats them to a generous feast and takes care not to mention politics, religion or family matters. Natalia has followed in her grandfather's steps and become a doctor in "the City". by Téa Obreht. She prefers Bruce Springsteen, Bob Dylan and Johnny Cash. 4.5 Stars It’s been around eight years since I read Téa Obreht’s debut novel, The Tiger’s Wife, but the fact that I loved the beautiful writing and the story had been enough incentive for me to request this second novel, Inland. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence. I’m so glad that I did. The Tiger's Wife A Novel Téa Obreht The plot of this novel plays out through a web of stories. But there is a sorrow that sometimes undercuts the flights of fancy, and this saves The Tiger's Wife from being a freak show. The novel interweaves three compelling narratives. . . The diggers, Natalia learns, are hunting for the buried corpse of a relative who died without proper rites, whom they believe is blighting their family from the grave. With fables and allegories, as well as events borrowed from the headlines, she illustrates the complexities of Balkan history, unearthing patterns of suspicion, superstition and everyday violence that pervade the region even in times of peace. Obreht's imagination is seductively extravagant and prone to folkloric hyperbole, and this makes parts of the novel read like a picaresque romp through some enchanted Balkan kingdom, rife with magic, murder and mayhem. But the real delirium – and the real emotion – doesn't lie in the stories of tiger-men, bear-men, deathless men and their consorts. Nor do they explain the presence of a band of strange, sickly people roaming their property, digging holes day and night. Throughout The Tiger's Wife, Obreht aggressively contrasts forces such as science and mythology, or rationalism and superstition. In “The Tiger’s Wife,” Obreht weaves the old man’s richly colored reminiscences like silk ribbons through the spare frame of Natalia’s modern coming-of-age, a … The principal collector of Obreht’s multiplicity of stories is her narrator, Natalia Stefanovic, a young doctor who lives with her mother, grandmother and grandfather in an unnamed Balkan city early in the 21st century. It's now rekindled by the death of Natalia's beloved grandfather. John Wilwol reviews Tea Obreht’s new novel, The Tiger’s Wife, which vibrates with the low rumble of unanswered and unanswerable questions that keeps us up at night. 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