utagawa kunisada ii

Items Similar to Utagawa Kunisada ‘Toyokuni III’, 1786-1865 Japanese Woodblock Print, 1852 View More. Utagawa Kunisada Utagawa Toyokuni III 1786 - January 12, 1865 Beneath a temple glimpsed through rolling clouds, a young women desperately recites a sutra whilst next to her a startled man is being devoured by a vast army of crabs. Kunisada II worked in the style of his master, but never achieved the same level of success. Viewing prints 1 to 100. Little is known of Kunisada II's early life. One of his most celebrated actor series, “The Tale of the Eight Dog Heroes” (Hakkendun inu no sōshi no uchi), dating from 1852, is drawn from Kyokutei Bakin’s epic novel, “The Satomi Clan and the Eight Dogs” (Nansō Satomi hakkenden), written from 1814-1842 and published in 106 volumes. He married his master's daughter in 1846 and took his master's name. Utagawa Kunisada II (歌川国定)(1823-1880) was a Japanese ukiyo-e printmaker, one of three to take the name "Utagawa Kunisada." He produced many characters of … 1850-60 in Osaka) and Utagawa KUNIHISA (1832-1891). His prints include over 40 series, mostly of actors (yakusha-e), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. Toyoshige died in 1835 and it took still some nine years before Kunisada was allowed to call himself Toyokuni (III). Utagawa Kunisada I (Toyokuni III) The actors Onoe Kikugoro III (R) as Nagoya Sanza and Iwai Kumesaburo II (L) as the courtesan Katsuragi in the play “Oichiza Soga no Shimadai,” performed at the Kawarazaki Theater in the first month, 1827, 1827 [1], Little is known of Kunisada II's early life. Japanese Woodblock prints by Utagawa Kunisada II. Toyokuni III (Kunisada) Profile. The Artist Kunisada Utagawa. En 1844-1845, Kunisada Utagawa change son nom d'artiste, prenant le nom de son maître, Toyokuni, et devient ainsi Toyokuni III (Toyokuni II étant Toyoshige Utagawa, un autre élève de Toyokuni, devenu chef de l'école après la mort de Toyokuni en 1825). After he had married his master's eldest daughter, he was adopted by his father-in-law and became the head of the Utagawa printmaking school. Kunisada II usually signed prints either 国貞画 (Kunisada ga, drawn by Kunisada) or 国貞筆 (Kunisada hitsu, from the brush of Kunisada). Utagawa Kunisada II Actors Onoe Kikujiro II as Kumokiri Oroku, Bando Mitsugoro VI as Osaraba Oden, Sawamura Tossho II as Kinezumi Okichi, and Ichimura Kakitsu … Although not much is known of the details of Kunisada's life, there are some well-established records of particular events. [1] One of his most celebrated actor series, “The Tale of the Eight Dog Heroes” (Hakkendun inu no sōshi no uchi), dating from 1852, is drawn from Kyokutei Bakin’s epic novel, “The Satomi Clan and the Eight Dogs” (Nansō Satomi hakkenden), written from 1814-1842 and published in 106 volumes. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". A small licensed and hereditary ferry-boat service belonged to his family, and the income derived from this business provided a certain basic financial security. 2,366 prints found. Utagawa Kunisada II (歌川国貞, Japanese, 1823–1880) also known as Kunimasa III or Toyokuni IV Untitled (kabuki actor), 1867 Woodblock on paper Signed … He illustrated nearly 200 books. His first known print dates to 1807, his first illustrated book to 1808. He often found his motifs in … This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Utagawa Kunisada II 3 歌川 国定; 1 Chō Hori; 1 Daikokuya Kinnosuke; 1 Hori Shōji; 1 Kiya Sōjirō; 1 Maruya Kyūshirō; more 1 Tsutaya Kichizō; 1 丸屋久四郎; 1 大黒屋 金之助; 1 彫 庄治; 1 木屋 宗次郎; 1 歌川 国貞; 1 … Available for sale from Scholten Japanese Art, Utagawa Kunisada II, Actors Bando Hikosaburo and Kawarazaki Gonjuro I (1867), Woodblock triptych, 36 × 74.1 … This original Utagawa Kunisada II woodcut, Kashiwagi hails from The False Murasaki's Rustic Gengi (Nise murasaki inaka genji).It depicts a spring scene on the porch with a cat delivering a letter in cherry-blossom season. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. Marked by Artist: Utagawa Toyokuni II (1777-1835) and dated circa 1810. The album includes 27 multiple-sheet sets and 7 single-sheet prints, mostly … Many of Kunisada II's woodcuts, such as this original example, were created to illustrate scenes from Japanese folklore, popular novels, and beautiful women. He headed the Utagawa school. Now Kunisada is more clearly revealed as one of the “giants” of the Japanese print. After his master's death, he started using the name of Toyokuni IV. His Buddhist posthumous name is Sankōin Hōkokujutei Shinji. He took the name Kunsada II c. 1850–51, about the time he inherited the house of Kunisada I. He headed the Utagawa school. Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Utagawa Kunisada I (1786–1865). This Japanese artist–related article is a stub. His signature may be distinguished from that of Kunisada I in that the sada kanji is straight in the signature of Kunisada I, but angular in the signature of Kunisada II (see figure). An original Japanese woodcut by Utagawa Kunisada II, A Scene From Hokusetsu bidan Jidai Kagami is printed on mid nineteenth century mulberry paper and with full margins as published by Wakasaya Yoichi in Edo (Tokyo) in 1864. Among the pupils of Toyokuni I, he was allowed to take over the Go of Toyokuni in 1844. Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. Kunisada’s work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. The album contains 34 striking images of kabuki actors by six late 19th century woodblock print designers: Utagawa KUNISADA I (1786-1864), Utagawa KUNISADA II (1823-1880), Toyohara KUNICHIKA (1835-1900), Utagawa KUNIAKI II (1835-1888), Utagawa YOSHICHIKA (fl. You can help Wikipedia by expanding it. 36, Kashiwagi" from the series "Lady Murasakiâ s Genji Cards" (1857) Courtesy Hiraki Ukiyo-e Foundation. He died on 20 July 1880 and was buried at Banshōin Kōunji. He continued producing ukiyo-e in the style of his master and father-in-law Kunisada I. His given name was Sumida Shōgorō IX (角田庄五朗), and he was also called Sumida Shōzō (角田庄蔵). He took the name Kunisada after marrying his master's eldest daughter in 1846. "ōju Tōto Utagawa Kunisada ga" [応需東都歌川国貞画] - by request/demand, ... as the new leader and he assumed the name Toyokuni (II). He did not sign prints “Kunisada II”. From the series Gishi Eimei-den no Uchi. But if was difficult for him as the new head of the Utagawa studio. His earliest known prints date to 1844. He changed his names several times - a fact that is a bit confusing for ukiyo-e collectors. 1786-1864 Ukiyoe painter. He took the name Kunisada II c. 1850–51, about the time he inherited the house of Kunisada I. He died on 20 July 1880 and was buried at Banshōin Kōunji. [1], Kunisada II worked in the style of his master, but never achieved the same level of success. This article about an engraver, etcher or printmaker is a stub. Early Japanese woodblock print by Utagawa Kunisada I, later known as Toyokuni III, depicting the actor Sawamura Gennosuke II (who used the name Gennosuke throug He was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. His earliest known prints date to 1844. He did not sign prints “Kunisada II”. His signature may be distinguished from that of Kunisada I in that the sada kanji is straight in the signature of Kunisada I, but angular in the signature of Kunisada II (see figure). Kunisada I had been regarded by his contemporaries a… Utagawa Kunisada was a Japanese artist known for his woodblock prints in the ukiyo-e style, similar to his contemporaries Ando Hiroshige, Katsushika Hokusai, and Utagawa Kuniyoshi. Utagawa Kunisada II (1823 - 1880) was a Japanese Ukiyo-e artist. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". A pupil of Utagawa Kunisada I, he signed much of his early work "Baidō Kunimasa III." Utagawa Kunisada II (歌川国定, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". You can help Wikipedia by expanding it. His Buddhist posthumous name is Sankōin Hōkokujutei Shinji. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". He headed the Utagawa school. Frequently using bright aniline colors, Kunisada II’s prints represent the exaggerated style of late ukiyo-e. Kunisada II is best known for his prints of beautiful women and historical subjects. His most famous and collected series is The Tale of Genji. https://en.wikipedia.org/w/index.php?title=Utagawa_Kunisada_II&oldid=1007742554, Articles containing Japanese-language text, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2021, at 18:17. Kunisada Utagawa II was born in 1823. He was born in 1786 in Honjo, an eastern district of Edo. Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". Murasaki Shikibu Genji Karuta He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni IV. Little is known of Kunisada II's early life. Neither his original name nore the place of his birth are known. Name Kunisada II, Utagawa (1823 - 1880) lifespan 1823 - 1880 In the ukiyo-e literature and in catalogues he is mostly referred to as Kunisada Utagawa or Toyokuni III. He again changed his name to Toyokuni IV after his teacher's death in 1864. Kunisada started his career as a pupil of Toyokuni Utagawa I whose name he adopted in 1844 as Toyokuni III. Kunisada II's popularity waned in the Meiji period (1868–1912), and he appears to have stopped making prints after 1874. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". He changed his name once more following his master's death, to Toyokuni III. He illustrated nearly 200 books. Moreover, most prints signed 'Kunisada' and by Kunisada II are datable by censor or date seals to post-1850. He headed the Utagawa school. His father, who was an amateur poet of some renown, died in the year a… Students of his include Kunisada III (1848–1920).[1]. Utagawa Kunisada II (歌川国定, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Students of his include Kunisada III (1848–1920). Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. View Utagawa Kunisada (Toyokuni III)’s 1,251 artworks on artnet. Find more works of this artist at Wikiart.org – best visual art database. Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. Further, Kunisada I took the name 'Toyokuni' in 1844, and never included the 'Kunisada' signature within the Toshidama cartouche, as Kunisada II often does in the 1850s and 1860s. His actor painting was so animated that people could feel as if looking at a stage. Gilt Framed Utagawa Toyokuni III Japanese Woodblock Print Parchment Paper 1857. Kunisada II: Kunisada II Utagawa (1823-1880) was a pupil of Kunisada (Toyokuni III). The full text of the article is here →, en.wikipedia.org/wiki/Utagawa_Kunisada_II, The famous Kabuki actor Takeda Harunobu (detail) - Utagawa Kunisada II, http://en.wikipedia.org/wiki/Utagawa_Kunisada_II, The famous Kabuki actor Takeda Harunobu (Takeda Shingen). Kunisada II usually signed prints either 国貞画 (Kunisada ga, drawn by Kunisada) or 国貞筆 (Kunisada hitsu, from the brush of Kunisada). At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. His prints include over 40 series, mostly of actors (yakusha-e), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. Before his marriage to Kunisada's daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist's name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV. He signed his prints as Baido Kunimasa or Kunimasa III. Utagawa Kunisada lived in the XVIII – XIX cent., a remarkable figure of Japanese Edo period (1603–1867). He began his career as a pupil in the studio of Utagawa Kunisada I. Utagawa Kunisada II, "No. He changed his name once more following his master's death, to Toyokuni III. Also referred to as Ichiyusai, Gototei, Gepparo, Kachoro, and others as Gago. [1], Kunisada II's popularity waned in the Meiji period (1868–1912), and he appears to have stopped making prints after 1874. Others as Gago this artist at Wikiart.org – best visual art database engraver, etcher or printmaker a. Some nine years before Kunisada was allowed to take over the Go of IV! Moreover, most prints signed 'Kunisada ' and by Kunisada II 's early life on.. He continued producing ukiyo-e in the style of his include Kunisada III ( 1848–1920 ). [ 1,! Marked by artist: Utagawa Toyokuni III. Ichiyusai, Gototei,,. The Tale of Genji II c. 1850–51, about the time he the! 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