The Virgin Mary with the Christ Child seated on a throne By the late 1200s, large paintings featuring the Virgin Mary and the Christ Child seated on a throne were a common sight in Italian churches. Virgin Mary and her son sit centrally placed in the image. Angels look towards Heaven towards the hand of God. Location. St Catherine of Alexandria and St Barbara are seated alongside. The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York.The panel shows an enthroned Virgin holding the Child. The Artist: For a biography of Hans Memling, see the Catalogue Entry for The Annunciation (). Left wing of the diptych of Thomas Komnenos Palaiologos, Cathedral, Cuenca, Spain. The Virgin (Theotokos) and Child between Saints Theodore and George is one of the earliest surviving examples of an icon — a sacred image showing Christ, the Virgin Mary or the saints, most typically in the form of a panel painting. The Virgin Mary gently supports the Christ Child as he plays with her hair. Context- The original location is unknown Tradition- Painted in classic style with an encaustic, similar to the Romans. The Virgin holds the Christ Child in her arms, flanked by two saints in a Sacra Conversazione.The saint on the left has been identified as Saint Catherine and the one on the right as either Saint Ursula, carrying the arrow of her martyrdom, or Saint Mary Magdalene.Expect for the figure of the Child, the others are represented in three-quarters with green curtains in the background. The Painting: The Virgin Mary and Christ Child are seated before a canopied cloth of honor, between two of the favored female saints of Bruges, Saint Catherine of Alexandria, and Saint Barbara. Mary was a 1st century Galilean Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus, according to the canonical gospels and the Quran.. Detail, Virgin (Theotokos) and Child between Saints Theodore and George, sixth or early seventh century, encaustic on wood, 2′ 3″ x 1′ 7 3/8″ (St. Catherine’s Monastery, Sinai, Egypt) The Virgin averts her gaze and does not make eye contact with the viewer. But Oradea invited St Sebastian along also. In terms of Italian religious art in the 1400’s, Oradea is as remarkable and as unusual as the hanging cucumber. Standing Virgin and Child, surrounded by saints, Byzantine, 1367-84. . Virgin and Child with Saints Francis and Lucy. St Francis is there to present her to the Virgin and Child in Heaven. Virgin (Theotokos) and Child between Saints George and Theodore Saint George and Saint Theodore stand stiffly engaging the viewer with their eyes. Content- The virgin and child are centrally placed. Artist ALLORI del Bronzino, Alessandro (1535-1607) Allori was born and trained in Florence. Interpretation-Mary looks beyond the viewer, which represents her looking into the future. At the bottom of each saint is a tiny box containing a relic. Artistic intent-The angels are looking up towards heaven. The reliquary was ordered from Constantinople by the Despots of Epirus. He is an obvious choice, given the location of the work. Gallery 01. The ethereal angels concentrate on … According to Christian theology, Mary conceived Jesus through the Holy Spirit while still a virgin, and accompanied Joseph to Bethlehem, where Jesus was born. 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