the making of divorce iranian style

For $10/Page 0nly. A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As the men and women stand before the judge and argue their case the differences between the men and women become even more readily apparent. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. Edgar, I.R., ed. VOICES UNVEILED examines this timely issue through portraits of three women pursuing life paths and careers of their own choosing in present-day Turkey. Nnc: Kim Longinotto’s “Divorce Iranian Style.” Kim’s an observational filmmaker and shoots her films herself, routinely capturing moments of incredible intimacy. Furthermore, the film address the issue of child custody and once again highlights the differences between men and women. Dr. Mir-Hosseini is a founding member of Musawah Global Movement for Equality and Justice in the Muslim Family. al. RESOURCE: "Women on the Verge," Sight & Sound, International Documentary Film Festival Amsterdam (IDFA). It follows one couple fairly closely through formal proceedings and family arbitration, and records the court appearances of several others, as well as talking with court employees. The film focuses on the sufferings of young girls who struggle to free themselves from the tyrannical and abusive power of their families, mainly their fathers, brothers, and stepfathers. wear makeup around the house, make themselves more attractive, show more respect for their husbands) many of the allegations would resolve themselves. B. Tauris, 2006), and (with Vanja Hamzic) Control and Sexuality: the Revival of Zina Laws in Muslim Contexts (Women Living Under Muslim Laws, 2010). Divorce Iranian Style follows a group of women fighting for maintenance payments, marriage gifts, and custody of their children. (8/14). Each has defied social expectations in a democratic, secular nation where religious fundamentalism has re-emerged as a political force and patriarchal values still prevail. Her publications include Marriage on Trial: A Study of Islamic Family Law in Iran and Morocco (I. One of the key elements this film documents is the dichotomy between men and women in the eyes of the Iranian court. Longinotto is an observational filmmaker. Keywords. It is set in a small courtroom in central Tehran, and follows a number of women who come before a non-plussed judge and by turn use whatever they can - reason, argument, charm, outrage, pleas for sympathy, patience, and wit - to get what they each need. Following Jamileh, whose husband beats her; Ziba, a 16-year-old trying to divorce her 38-year-old husband; and Maryam, who is desperately fighting to gain custody of her daughters, this deadpan chronicle showcases the strength, ingenuity, and guile with which they confront biased laws, a Kafaka-esque administrative system, and their husbands’ and families’ rage to gain divorces. The film also shows the complexity of blending religious law with a state run court system. PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Through their words the full implications of breaking with tradition are made clear, as is the incredible courage of the women and girls who risk social ostracism by taking a stand against the practice. 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